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limited sound quality. In the United States in 1894, under the Berliner Gramophone trademark, Berliner started marketing records of 7 inches diameter with somewhat more substantial entertainment value, along with somewhat more substantial gramophones to play them. Berliner's records had poor sound

quality compared to wax cylinders, but his manufacturing associate Eldridge R. Johnson eventually improved it. Abandoning Berliner's "Gramophone" trademark for legal reasons, in 1901 Johnson's and Berliner's separate companies reorganized to form the Victor Talking Machine Company in Camden, New Jersey, whose products would come to dominate the market for many years. Emile Berliner moved his company to Montreal in 1900. The factory, which became the Canadian branch of RCA Victor still exists. There is a dedicated museum in Montreal for Berliner (Musée des ondes Emile Berliner).

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https://www.onlinevinylshop.com/index.php/vinyl-records-12/instrumental.html An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a Big Band setting.

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Executives believed classical music aficionados would leap at the chance to finally hear a Beethoven symphony or a Mozart concerto without having to flip over a

 seemingly endless series of four-minute-per-side 78s, but popular music fans, used to consuming one song per side at a time,

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https://www.onlinevinylshop.com/index.php/vinyl-records-12/ghazals.html  The phonautograph, patented by Léon Scott in 1857, used a vibrating diaphragm and stylus to graphically record sound waves as tracings on sheets of paper, purely for visual analysis and without any intent of playing them back. In the 2000s, these tracings were first scanned by audio engineers and digitally converted into audible sound. Phonautograms of singing and speech made by Scott in 1860 were played back as sound for the first time in 2008. Along with a tuning fork tone and unintelligible snippets recorded as early as 1857, these are the earliest known recordings of sound.

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https://www.onlinevinylshop.com/index.php/vinyl-records-12/rare-vinyl-records.html where can i sell old records 12 inch vinyl records for sale where can i buy new vinyl records best vinyls to buy where to buy used vinyl records new music on vinyl records 12 vinyl records vinyl website places to buy vinyl records cheap lps lp record store old lps for sale cheap cheap used records music records for sale best deals on vinyl records  2nd hand vinyl where to purchase vinyl new albums on vinyl The LP (Long Play), or 33 1⁄3 rpm microgroove vinyl record, is a format for phonograph (gramophone) records, an analog sound storage medium. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire record industry. Apart from relatively minor refinements and the important later addition of stereophonic sound capability, it has remained the standard format for vinyl albums. When initially introduced, 12-inch LPs played for a maximum of 45 minutes, divided over two sides, with 10-inch versions carrying a maximum of 35 minutes again over two sides. Owing to marketing attitudes at the time, the 12-inch format was reserved solely for higher-priced classical recordings and Broadway shows. Popular music appeared only on 10-inch records. Executives believed classical music aficionados would leap at the chance to finally hear a Beethoven symphony or a Mozart concerto without having to flip over a seemingly endless series of four-minute-per-side 78s, but popular music fans, used to consuming one song per side at a time, would find the shorter time of the 10-inch LP sufficient. This belief would prove to be erroneous in the end, and by the mid-1950s the 10-inch LP, like its similarly sized 78 rpm record, would lose out in the format wars and be discontinued. Ten-inch records would reappear as mini-albums in the late 1970s and early 1980s in the United States and Australia as a marketing alternative.